Come as You Are: “Better Angels” by Heather Kapplow, June 26–28

Rixy Reimagines Revolution

At the New Bedford Whaling Museum, “Look Pleasant, Please” Captures a City Learning to See Itself

Curator Grant Wahlquist Brings Ambitious Vision to the Center for Maine Contemporary Art

ArtWonk: “Fund Us or Fail Us,” Boston Budget Approval Process Slouches into Chaos

Come Dream Together on the Summer Solstice and Juneteenth

At the MFA Boston, Contemporary Artists Turn the Gaze Back on the Museum’s Nudes

Ten Boston-Area Gallery Shows to Catch This Summer

 At Pao Arts Center, Ancestors Take Many Forms in “Temple of Our Ancestral Dreams”

ArtWonk: Games Are Afoot at City Hall

In “Interlaced, Interwoven,” Jewish Ritual and Contemporary Craft Converge

Maine Institutions Dissect the American Semiquincentennial

In Photos: The Boston Art Review Issue 16 Launch Party

Ornament as Argument: In Conversation with Chenlu Hou

At Harvard Radcliffe Institute, Eve Fowler Turns Language into Form

At Peabody Essex Museum, “Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

ArtWonk: Austerity Comes for the Biennale

Honoring Candelaria Silva-Collins

“Ripples in Still Water” Witnesses Community

Joanna Tam Plumbs the Ocean in “when blue meets blue”